music

This piece, titled “Never Stop,” was composed at the very beginning of the COVID-19 pandemic, when I was nine years old, living in Beijing. At that time, the streets were empty, without a single person or vehicle, and everywhere felt lifeless. People could see no hope and didn’t know

“Snowy Night” is a piece I composed shortly before my ninth birthday. Through music, I wanted to tell a story: on a medieval night, heavy snow falls outside as a late traveler returns home. Sitting by the hearth with his family, he shares a cup of hot tea while gazing

“The Light of Light” depicts the early morning, when the faint dawn light falls on the leaves, and gradually the sunshine spreads across the streets as people begin their busy day. A young boy shoulders his backpack and walks into the world. I composed this piece when I was eight

My piece for the Berlin International Film Scoring Competition 2025 using Musescore 3, which is scoring for a 5 minute, science fiction based animated film clip called “The Rise And Fall Of Globosome.” The animated film clip given tells a story about how orb-like creatures start their civilization and how

July 2, 2024 – Debut performance at the Esplanade, invited by the Composers Society of Singapore, performing a piano solo of a renowned Chinese folk song arranged by a Singaporean composer. The Singaporean composer’s arrangement of the Chinese folk song Lan Huahua demonstrates a sensitive balance between tradition and innovation.

When it comes to memorable video game music, few pieces capture the soul of an entire world like Lennie Moore’s theme for Outcast (1999). Blending sweeping orchestration with emotional depth, Moore composed a soundtrack that still resonates with players decades later. In a time when many game scores relied